This Belarusian mezzo-soprano graduated from the Rimsky-Korsakov State Conservatory in St. Petersburg. She was a member of Plácido Domingo’s Academy in Valencia and took part in the Rossiniana Academy of the Rossini Opera Festival in Pesaro.

She was a member of the permanent ensemble of the Mikhaylovsky Theatre (St. Petersburg), where she debuted a large part of her repertoire, including roles such as Olga (Eugene Onegin), Polina (The Queen of Spades), Lyubasha (The Tsar’s Bride), Varvara (Káťa Kabanová), Konchakovna (Prince Igor), and Lucretia (The Rape of Lucretia, B. Britten).

She has also performed at the Teatro Comunale di Bologna as Fenena (Nabucco) under Michele Mariotti; at the Palau de les Arts in Valencia as Marta (Iolanta) under Henrik Nánási; at the Opéra National de Lorraine as Amelfa (The Golden Cockerel); as Flosshilde (Götterdämmerung) at the Teatro Real and the Gran Teatre del Liceu under Pablo Heras-Casado and Josep Pons; at the Teatro Campoamor in Oviedo as Amelfa (The Lady of the Dawn); at the Teatro Real as Alisa (Lucia di Lammermoor) under Daniel Oren; at the Teatro de la Maestranza in Seville as the Marquise (La fille du régiment) and as Madelon / Countess di Coigny (Andrea Chénier); and at the Teatro de la Zarzuela as the Voice of Juno / the Shadow of Achilles (Circe) and as Luz (Tabaré) under Ramón Tebar.

She has also sung Verdi’s Requiem at the National Auditorium of Music in Madrid, Beethoven’s Ninth Symphony at the Bunkamura Orchard Hall in Tokyo, Mozart’s Requiem with the St. Petersburg Philharmonic Orchestra, Smeton (Anna Bolena) at the Tchaikovsky Concert Hall in Moscow, and The Armed Man: A Mass for Peace by Karl Jenkins at the Teatro Cervantes with the Málaga Philharmonic Orchestra. In the 2024/2025 season, she returned to the Teatro Cervantes with Mendelssohn’s Symphony No. 2 in B-flat major, Op. 52, “Lobgesang”, and to the Gran Teatre del Liceu as Tisbe (Il barbiere di Siviglia), and in the 2024/2025 season as Neferneferuaten (Akhnaten).