She began a brilliant career making her debut: Cavalli’s La Calisto at the Teatro Olimpico in Vicenza (recorded on CD); Il matrimonio segreto at the Ravenna Festival; Martin y Soler’s Una cosa rara at the Vienna Konzerthaus; Don Giovanni (Donna Elvira) at the San Francisco Opera, the Staatsoper in Hamburg and the Fenice in Venice; Le nozze di Figaro (Contessa) at the Deutsche Oper in Berlin, Palermo, Klagenfurt and Beijing; La clemenza di Tito (Vitellia) in Klagenfurt and Graz; Cherubini‘s Medée in Catania; Rossini‘s Semiramide in Naples; Beatrice di Tenda at La Scala; Roberto Devereux in Santiago, Barcelona, Pamplona, Lyon, at the Théâtre des Champs-Elysées in Paris, at the Real in Madrid; Karslrhue, Lucrezia Borgia at La Scala in Milan; Maria Stuarda (Maria and Elisabetta) in Macerata, Montecarlo, Wiesbaden, at the Staatsoper in Berlin, at La Scala in Milan, in Catania and Venice; Anna Bolena at the Liceu in Barcelona; Il Pirata at the Real in Madrid and in Düsseldorf.

Madrid, Dortmund, Simon Boccanegra at the Colón in Buenos Aires and Cagliari, Vienna Staatsoper, Don Carlo (Elisabetta) at the Colón in Buenos Aires, Santiago de Chile, Amsterdam, Vienna Staatsoper; Il Trovatore at the Petruzzelli in Bari, Barcelona, Lima; Un ballo in maschera in Buenos Aires, Madrid, Pamplona; La forza del destino in Buenos Aires, Barcelona, Salerno. Opernahus Zurich, Aida in Lima and Cagliari, Bratislava, Macbeth in Wroclaw, Bratislava, Dresden, Turandot (Liù) in Bari; La Bohème (Mimì) in Malaga;

Tosca in Montevideo, Modena, Ferrara, Piacenza, Copenhagen, Colón de Buenos Aires, Le Villi in Modena, Reggio Emilia, Mascagni’s Guglielmo Ratcliff in Livorno, Lucca, Mantua; Falstaff (Alice) at the Deutsche Oper in Berlin; Andrea Chénier at the Colon di Buenos Aires, Comunale di Bologna; Norma at the Opera di Roma, at the Staatsoper in Vienna; at the Colon di Buenos Aires, at the Palm Beach Opera, at the Comunale di Bologna, at the Municipal di Santiago del Cile, at the Teatro de la Plata, at the Teatro Principal de Mallorca, at the Opera of Vichy, at the Opera of Massy, at the Vittorio Emanuele of Messina, at the Opera of San Paolo in Brazil, Caterina Cornaro at the Festival de Montpellier – Radio France; Pagliacci in Cagliari; Vedova allegra at the San Carlo in Naples; Manon Lescaut at the Petruzzelli in Bari, Liceu Barcelona.

At the same time, she developed an intense concert activity: Prokof’ev’s Maddalena at the Accademia di Santa Cecilia in Rome; Petite Messe solennelle and Cantate per i Borboni at the Rossini Opera Festival in Pesaro; Messa in C major D. 452 by Schubert at the Filarmonico of Verona; Vier Letzte Lieder by Strauss and Mahler‘s Fourth Symphony with the Fondazione Toscanini of Parma; Beethoven‘s Ninth Symphony; Lobgesang by Mendelssohn at the Lirico of Cagliari; Messa da Requiem by Verdi at the Colón of Buenos Aires.