Carlos Daza made his debut at the Gran Teatre del Liceu in Barcelona in the 2006-2007 season with the opera Manon by Massenet under the orders of Víctor Pablo Pérez and David McVicar. Since then and in successive seasons she sings in some of the main Spanish coliseums such as the Teatro Campoamor in Oviedo (2008), Ópera de Bilbao (ABAO) in 2011 with the Italiana in Algeri by Emilio Sagi, Teatro Villamarta de Jerez, Teatre Principal de Mallorca (2012), etc…

In 2006 he made his international debut at the National Theater of Panama, consolidating his career in theaters in Colombia, Ecuador, Brazil, South Korea and Italy.

In 2014 he returned to the Teatro Campoamor in Oviedo to perform the title role in the opera Don Giovanni by Mozart in the production of Alfred Kirchner, which he will later present at the Baluarte Auditorium in Pamplona.

The following year he successfully debuts Carmina Burana at the Alfredo Kraus Auditorium in Las Palmas de Gran Canaria conducted by maestro Pedro Halffter.

In January 2017 he returns to the Gran Teatro del Liceu to sing Werther under the orders of Willy Decker and Alain Altinoglu, singing since then regularly in titles such as Hamlet, La Gioconda or les Contes d’Hoffmann. This same season he embarks on a tour of various theaters in Spain with the show Carmina Burana by La Fura del Baus.

In 2018 he debuts at the Teatro Maestranza in Seville with the Sulpice of Donizetti‘s La fille du régiment in the acclaimed production by Laurent Pélly.

In 2019 he participates in Madama Butterfly at the Royal Opera House Muscat in Oman conducted by Maestro Armiliato and at the Castell de Peralada Festival with the new production of La Traviata signed by Paco Azorín and conducted by Maestro Riccardo Frizza.